J.C. van Epen is considered a follower of Berlage's ideas. His 1922 house building on Amsteldijk/Jozef Israëlskade is mentioned.|This book also confuses A. van der Steur with his brother A.J. van der Steur. The authors see traditionalism as a countercurrent to functionalism, with the traditionalists harking back to an "idealized village past" and "unpretentious eighteenth-century rural architecture. Other sources of inspiration, they said, were "austere German housing construction, which would be embraced there as 'vernacular' by National Socialism in the 1930s" and "Scandinavia, where traditional native construction was coupled with a classicist main structure, including in the new Stockholm City Hall (1911-1923) to a design by R. Östberg. Van der Steur based his entire oeuvre on Swedish architecture, they believe. | Architect I. Gosschalk wrote in 1871 about the dilettantism of the nineteenth-century German art historians who made the first systematic classification of styles in architecture: 'who seek their salvation in making all kinds of classifications and arbitrary subdivisions, the inventors of 1001 styles.' | The authors provide an overview of architectural styles in the Netherlands. For each chapter a style is discussed. Examples of buildings built in that style are mentioned. Under `neo-classicism' the architect A. Tollus is mentioned who built the RC church St. Petrus Banden in Rijsenburg. | Architectural history survey.