"It is a sort of invitation to an eye-examination, just like the effective graphic image conceived by Gianni Sinni, aimed directly at contemporary architecture. It seems that, in the last few years, contemporary architects have lost their ability to pursue grand visions and to construct a broad outlook that engages complex transformations of the built environment. They are unable to construct thoughts and a conscience beyond that which is usual, empirical, and visible. It is also true that the massive production and consumption of architectural images has resulted in a greater proximity to design issues by the general public. In the era of global communications, the representation of projects expresses an increasing tendency to develop new capacities to elaborate its very realm of action and to determine new systems of relations, while heading towards something that can be interpreted as a renewal of those persuasive intents that were part of humanistic representationalism. However, at the same time, those images, which are often so autonomous as to seem disassociated from representation, have altered the way people conceive of architecture; hence they seem to have affected the ability and the opportunity to generate visions, and hence theories, that are deeply rooted in our time and, at the same time, receptive to new, possible scenarios."