The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
The essential roadmap to the ideas and debates that have formed the history of art, told through 16 key books published over the course of the 20th century.
- 'Émile Mâle, L'art religieux du XIIIe siècle en France, 1898' by Alexandra Gajewski
- 'Bernard Berenson, The Drawings of the Florentine Painters, 1903' by Carmen C. Bambach
- 'Heinrich Wölfflin, Kunstgeschichtliche Grundbegriffe, 1915' by David Summers
- 'Roger Fry, Cézanne: A Study of His Development, 1927' by Richard Verdi
- 'Nikolaus Pevsner, Pioneers of the Modern Movement, 1936' by Colin Amery
- 'Alfred H. Barr, Jr., Matisse: His Art and His Public, 1951' by John Elderfield
- 'Erwin Panofsky, Early Netherlandish Painting: Its Origins and Character, 1953' by Susie Nash
- 'Kenneth Clark, The Nude: A Study of Ideal Art, 1956' by John-Paul Stonard
- 'E. H. Gombrich, Art and Illusion, 1960' by Christopher S. Wood
- 'Clement Greenberg, Art and Culture, 1961' by Boris Groys
- 'Francis Haskell, A Study in the Relations between Italian Art and Society in the Age of the Baroque, 1963' by Louise Rice
- 'Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 1972' by Paul Hills
- 'T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, 1973' by Alastair Wright
- 'Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, 1983' by Mariët Westermann
- 'Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths, 1985' by Anna Lovatt
- 'Hans Belting, Bild und Kult, 1990' by Jeffrey Hamburger
focusNode
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
The essential roadmap to the ideas and debates that have formed the history of art, told through 16 key books published over the course of the 20th century.
- 'Émile Mâle, L'art religieux du XIIIe siècle en France, 1898' by Alexandra Gajewski
- 'Bernard Berenson, The Drawings of the Florentine Painters, 1903' by Carmen C. Bambach
- 'Heinrich Wölfflin, Kunstgeschichtliche Grundbegriffe, 1915' by David Summers
- 'Roger Fry, Cézanne: A Study of His Development, 1927' by Richard Verdi
- 'Nikolaus Pevsner, Pioneers of the Modern Movement, 1936' by Colin Amery
- 'Alfred H. Barr, Jr., Matisse: His Art and His Public, 1951' by John Elderfield
- 'Erwin Panofsky, Early Netherlandish Painting: Its Origins and Character, 1953' by Susie Nash
- 'Kenneth Clark, The Nude: A Study of Ideal Art, 1956' by John-Paul Stonard
- 'E. H. Gombrich, Art and Illusion, 1960' by Christopher S. Wood
- 'Clement Greenberg, Art and Culture, 1961' by Boris Groys
- 'Francis Haskell, A Study in the Relations between Italian Art and Society in the Age of the Baroque, 1963' by Louise Rice
- 'Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 1972' by Paul Hills
- 'T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, 1973' by Alastair Wright
- 'Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, 1983' by Mariët Westermann
- 'Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths, 1985' by Anna Lovatt
- 'Hans Belting, Bild und Kult, 1990' by Jeffrey Hamburger
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beschikbaar
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The essential roadmap to the i ...... lt, 1990’ by Jeffrey Hamburger
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The essential roadmap to the i ...... lt, 1990' by Jeffrey Hamburger
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978-0-500-29302-7
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The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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Thames & Hudson
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Thames & Hudson
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