Eesteren, Cornelis van - Collectie Data Knowledge Graph - the-other-interface - Nieuwe Instituut LOD

Eesteren, Cornelis van

C. van Eesteren (1897-1988) Cornelis van Eesteren is a son of Balten van Eesteren, firm owner of the contracting company Boele & Van Eesteren. He learns about building from practice. For theoretical foundation, he attends the Academy of Visual Arts and Technical Sciences in Rotterdam. From 1919 he attends the Voortgezet en Hoger Bouwkunst Onderricht in Amsterdam and obtains the Prix de Rome with a design for a Royal Institute of Sciences, Letters and Fine Arts (1921). From the associated cash prize, he takes a trip to Germany and Scandinavia in 1922, where he immerses himself in the architecture and urban planning of cities such as Berlin, Dresden, Prague and Vienna. He also becomes acquainted with the work of architects such as E. Mendelsohn, Eliel Saarinen and Adolf Loos and with artists from the Bauhaus school in Weimar. He meets Theo van Doesburg, with whom he designs three houses and exhibits them, through drawings and models, at the exhibition "Les Architectes du Groupe "De Stijl"" (Paris 1923). From 1923 to 1924, he continues his education in urban planning at the Institut des Hautes Etudes Urbaines at the Sorbonne, the University of Paris. Back in the Netherlands, Van Eesteren works as chef de bureau for architect Jan Wils, but continues to have a strong interest in urban planning. In 1925, he provides competition designs for the Rokin in Amsterdam and for the modernization of Berlin's Boulevard Unter den Linden. They are enthusiastically received in Germany: Van Eesteren is appointed guest lecturer at the Staatliche Bauhochschule in Weimar for the period 1927-1930. Van Eesteren enters service in 1929 as head of the recently established Urban Development Department of the Public Works Department in Amsterdam. Together with his colleague Th.K. van Lohuizen (1890-1956), he works there on the General Expansion Plan (AUP) of Amsterdam (1934), which forms the basis for the urban expansions realized after World War II, such as the Western Garden Cities and the Buitenveldert district. Van Eesteren is the spiritual father of "the functional city" with strict separation of functions such as housing, traffic, work, recreation and nature, without otherwise losing sight of the harmonious coherence of the whole. After the Second World War, Van Eesteren's career is dominated by the layout of the IJsselmeer polders. An important part of this is the plan for Lelystad, which is to become the new center of the polders (1959-1964). Internationally, Van Eesteren is considered a prominent urban planner. He was chairman of the Congrès Internationaux d'Architecture Moderne (CIAM) from 1930-1947 and, by virtue of that position, initiated the congress "The Functional City" in 1933. In 1948 he was appointed extraordinary professor of urban planning at the Technische Hogeschool (TH) Delft. Together with architect J.H. van den Broek, he breaks through the dominance of the Delft school at TH Delft and brings modernism into the school. During the same period, he holds a visiting professorship at the University of Santiago (Chile). Outside activities: TH Delft, architecture department/ordinary professor of urban planning/1948-?
The conception of our contemporary settlements and cultural landscapes, their manifestations and expressionThe Plan 2000 : study plan of the urban development of The HagueReport of the meeting on LelystadUrban development plan for LelystadSpace, time and architectureHans Bernhard Reichow : Stadtplanen und Bauten durch fünf JahrzehnteResearch on the most suitable location for a heliport in AmsterdamReport of the Alphen aan den Rijn urban planning study group.Gothenburg and Stockholm : excursion guide for the urban planning study visit September 23-29, 1962"Publications from the International Congresses for the New Construction".4th International Congress in Moscow (June 1-10, 1933).American ImpressionsAmerican tower housesArchitect Dr. L.C. Walter Gropius appointed leader of the architecture department of "Harvard University" U.S.A.Bau-Entwurfslehre by Prof. Ernst Neufert [book review].Building WieringermeerpolderBook review Mechanization takes command by S. GiedionBook ReviewArchitecture responseArchitecture responseThe significance of the Avenue Quarter as a neighborhood center for NorthThe merger of "The 8" and "Group 32"The merger of "the 8" and "Group 32"The merger of The 8 and Group 32The model home in the 'Bijenkorf' in RotterdamA plan for the village of NageleExcursion of "Stylos" to FinlandExcerpts from C. van Eesteren's speech as chairman of the C.I.A.M., at the opening of the exhibition ['The Functional City', Stedelijk Museum A'dam].Frankendaal, a residential neighborhood in the Watergraafsmeer in AmsterdamFrankendael : a residential neighborhood in the Watergraafsmeer in AmsterdamGli Elementi Dall' Architettura Funzionale [Book Review].The Bauhaus continues. Chronicle of a schoolThe new building at BarcelonaThe new building at BarcelonaThe innkeeper's house at ElshoutInaugural address by Prof. C. van EesterenIntroductionKarl Moser † Feb. 28, 1936Following the competition for a water tower at WassenaarProgram of the Study Competition for a Neighborhood Center Amsterdam-North
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Maison Particulière; architectural analysisMaison d'Artiste; axonometryMaison d'Artiste; four viewsDwelling house B. van Eesteren in park Zorgvliet, The Hague; axonometryMaison Particulière; axonometry in colorHôtel Particulier; plan of the second floorHôtel Particulier; first floor planHôtel Particulier; floor plan of the second floorGarage Nieuwe Parklaan 69 in The Hague; axonometry and three views with color design, a floor plan and a site planStore gallery with café-restaurant Laan van Meerdervoort in The Hague; perspective with color designDwelling house A. van Zessen in Alblasserdam; four views with color design and an instructionMaison Particulière; color design of an axonometryMaison d'Artiste; floor plan of the second floorMaison d'Artiste; plan of the second floorMaison d'Artiste; floor plan of the third floorMaison d'Artiste; color design of an architectural analysisMaison Particulière; counter-construction or Maison Particulière; color design of an architectural analysisMaison d'Artiste; architectural analysisMaison d'Artiste; photo of the modelMaison d'Artiste; first floor planMaison Particulière; architectural analysisMaison Particulière; color design of an axonometryMaison Particulière; axonometry from belowMaison Particulière; axonometryMaison Particulière; two counter-constructions in color or Maison Particulière; two architectural analyses in colorHôtel Partuculier; photo of the modelStore gallery with café-restaurant Laan van Meerdervoort in The Hague; color design for axonometryStore gallery with café-restaurant Laan van Meerdervoort in The Hague; color design for axonometry, from belowMaison Particulière; view of the south facadeMaison Particulière; view of the west facadeMaison Particulière; photo of the modelMaison Particulière; axonometry from belowMaison Particulière; architectural analysisMaison Particulière; axonometryMaison Particulière; photo of Cornelis van Eesteren and Theo van Doesburg working on the maquetteMaison Particulière; axonometryMaison Particulière; plan of the second floorMaison Particulière; plan of the second floorMaison Particulière; axonometryMaison Particulière; axonometry
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Maison Particulière; axonometry in colorUniversity hall; University of Amsterdam; perspective from the stairsUniversity hall; University of Amsterdam; perspective from the main entranceUniversity Hall; University of Amsterdam; perspective from the main entrance or University of Amsterdam; University Hall; perspective from the main entranceUniversity hall; University of Amsterdam; ceiling color designUniversity hall; University of Amsterdam; floor plan and two cross-sectionsMaison Particulière; counter-constructionMaison d'Artiste; color design for facadeDwelling house A. van Zessen in Alblasserdam; four views, a longitudinal section and four floor plansStore gallery with café-restaurant Laan van Meerdervoort in The Hague; axonometry with color designStore gallery with café-restaurant Laan van Meerdervoort in The Hague; axonometry with color design and a side viewDwelling house A. van Zessen in Alblasserdam; four views with color design, a longitudinal section and a floor planDwelling house A. van Zessen in Alblasserdam; four views with color design and an axonometry of the hallDwelling house A. van Zessen in Alblasserdam; seven floor plans and a longitudinal sectionMaison d'Artiste; color design for facadeUniversity Hall; University of Amsterdam; perspective from the main entrance or University of Amsterdam; University Hall; perspective from the main entranceUniversity hall; University of Amsterdam; color design for the floor, walls and ceilingsUniversity hall; University of Amsterdam; design for floor, walls and ceilingsDwelling house B. van Eesteren in Alblasserdam; view of the southwest facadeDwelling house B. van Eesteren in Alblasserdam; view of southwest facade and northeast facadeDwelling house B. van Eesteren in Alblasserdam; section and view of northwest facadeDwelling house B. van Eesteren in Alblasserdam; first floor planDwelling house B. van Eesteren in Alblasserdam; plan of the first and second floorResidential house B. van Eesteren in park Zorgvliet, The Hague; four facades
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Eesteren, Cornelis van

C. van Eesteren (1897-1988) Cornelis van Eesteren is a son of Balten van Eesteren, firm owner of the contracting company Boele & Van Eesteren. He learns about building from practice. For theoretical foundation, he attends the Academy of Visual Arts and Technical Sciences in Rotterdam. From 1919 he attends the Voortgezet en Hoger Bouwkunst Onderricht in Amsterdam and obtains the Prix de Rome with a design for a Royal Institute of Sciences, Letters and Fine Arts (1921). From the associated cash prize, he takes a trip to Germany and Scandinavia in 1922, where he immerses himself in the architecture and urban planning of cities such as Berlin, Dresden, Prague and Vienna. He also becomes acquainted with the work of architects such as E. Mendelsohn, Eliel Saarinen and Adolf Loos and with artists from the Bauhaus school in Weimar. He meets Theo van Doesburg, with whom he designs three houses and exhibits them, through drawings and models, at the exhibition "Les Architectes du Groupe "De Stijl"" (Paris 1923). From 1923 to 1924, he continues his education in urban planning at the Institut des Hautes Etudes Urbaines at the Sorbonne, the University of Paris. Back in the Netherlands, Van Eesteren works as chef de bureau for architect Jan Wils, but continues to have a strong interest in urban planning. In 1925, he provides competition designs for the Rokin in Amsterdam and for the modernization of Berlin's Boulevard Unter den Linden. They are enthusiastically received in Germany: Van Eesteren is appointed guest lecturer at the Staatliche Bauhochschule in Weimar for the period 1927-1930. Van Eesteren enters service in 1929 as head of the recently established Urban Development Department of the Public Works Department in Amsterdam. Together with his colleague Th.K. van Lohuizen (1890-1956), he works there on the General Expansion Plan (AUP) of Amsterdam (1934), which forms the basis for the urban expansions realized after World War II, such as the Western Garden Cities and the Buitenveldert district. Van Eesteren is the spiritual father of "the functional city" with strict separation of functions such as housing, traffic, work, recreation and nature, without otherwise losing sight of the harmonious coherence of the whole. After the Second World War, Van Eesteren's career is dominated by the layout of the IJsselmeer polders. An important part of this is the plan for Lelystad, which is to become the new center of the polders (1959-1964). Internationally, Van Eesteren is considered a prominent urban planner. He was chairman of the Congrès Internationaux d'Architecture Moderne (CIAM) from 1930-1947 and, by virtue of that position, initiated the congress "The Functional City" in 1933. In 1948 he was appointed extraordinary professor of urban planning at the Technische Hogeschool (TH) Delft. Together with architect J.H. van den Broek, he breaks through the dominance of the Delft school at TH Delft and brings modernism into the school. During the same period, he holds a visiting professorship at the University of Santiago (Chile). Outside activities: TH Delft, architecture department/ordinary professor of urban planning/1948-?