Architecture in the Netherlands in the twentieth century - Collectie Data Knowledge Graph - the-other-interface - Nieuwe Instituut LOD

Architecture in the Netherlands in the twentieth century

Eibink and Snellebrand are mentioned with the competition design for the village church at Elshout. 'The penchant for shell and crystal forms, later professed in Wendingen, was first expressed in the rejected 1915 competition design for a small church in Elshout by A. Eibink (1893-1975) and J.A. Snellebrand (1891-1963).' | Van Dijk pays particular attention to M.J. Grandpré Molière, who, when he became professor at the Technical High School in Delft in 1924, gave traditionalism its own theory of beauty. At Van der Steur's Museum Boijmans Van Beuningen, the Scandinavian influence is also evident for him. | An accessible and handy overview of architecture in the Netherlands in the twentieth century. The introduction outlines the development of the Dutch Society and explains the design traditions. Taking Berlage's oeuvre as its starting point, the book shows the most important works of the Amsterdam School, de Stijl, the New De Stijl, the Nieuwe Bouwen , monumental reconstruction works and recent works.

Architecture in the Netherlands in the twentieth century

Eibink and Snellebrand are mentioned with the competition design for the village church at Elshout. 'The penchant for shell and crystal forms, later professed in Wendingen, was first expressed in the rejected 1915 competition design for a small church in Elshout by A. Eibink (1893-1975) and J.A. Snellebrand (1891-1963).' | Van Dijk pays particular attention to M.J. Grandpré Molière, who, when he became professor at the Technical High School in Delft in 1924, gave traditionalism its own theory of beauty. At Van der Steur's Museum Boijmans Van Beuningen, the Scandinavian influence is also evident for him. | An accessible and handy overview of architecture in the Netherlands in the twentieth century. The introduction outlines the development of the Dutch Society and explains the design traditions. Taking Berlage's oeuvre as its starting point, the book shows the most important works of the Amsterdam School, de Stijl, the New De Stijl, the Nieuwe Bouwen , monumental reconstruction works and recent works.